Family Dad Season 11 Episode 10 What's the Name of the Opening Song

The Ending Of The Walking Dead Season 11 Episode 10 Explained

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With a dizzying array of spin-offs on the horizon, it hardly feels like "The Walking Dead" is approaching the end of a twelve-year run. Withal, the original apocalyptic AMC series' 3-part final season is back from hiatus to evangelize the next batch of episodes. Season 11 Episode 9 saw a shocking decision made past Maggie Rhee (Lauren Cohan) every bit well equally the Republic'due south long-awaited arrival at the conditions and walker-ravaged remains of Alexandria.

However, Episode 10, "New Haunts," continues showrunner Angela Kang's creative decision to play with non-chronological storytelling. This episode flashes forward to Day 30 of some survivors now living in the Commonwealth. Their cushy new customs is going all-out for Halloween with a family-friendly festival filled with hot apple tree cider, homemade pastries, and a petting zoo. Judith Grimes (Cailey Fleming) even tries cotton candy for the starting time time in her life. Later, the town's elites attend a masquerade brawl complete with a red rug. The glamorous event sours when one worker'south outburst offers a glimpse at how oppressive their social hierarchies are, revealing a growing resistance amid those at the bottom of this nutrient chain.

Something sinister is bubbling beneath the surface of the Democracy, and the newcomers are slowly realizing that this return to pre-apocalyptic life comes with all of the old baggage they thought was backside them.

Allow'south pause downward what happened in Season eleven Episode 10, "New Haunts."

Adjusting to life in the Democracy

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Of all the communities that have come and gone on "The Walking Expressionless," the Republic nearly closely resembles a city from before the world was overrun by walkers. Its citizens accept embraced the render to normalcy, but for those relocating from Alexandria, this causes culture shock. Magna (Nadia Hilker), who is back to working as a waitress, points out that the Commonwealth is eerily similar to the past in that information technology imposes barriers to maintain a rigid social construction that only benefits a select few.

Their order is based on a numerical ranking system that affects people'due south healthcare, access to living spaces, food options, invitations to events, and then forth. Lower-ranked people similar Daryl Dixon (Norman Reedus) and Rosita Espinosa (Christian Serratos) live in run-downwardly apartments on the outskirts of town and work in dangerous conditions to prove their abilities to higher-ups like General Mercer (Michael James Shaw).

Meanwhile, those who are benefitting from this arrangement live in a sleeky bubble. Judith's new friend, Mei (Chiara Misawa), gushes well-nigh how cool information technology is that she got to live among the undead and is surprised to find out that she doesn't get an allowance. On the other hand, Sebastian Milton (Teo Rapp-Olsson) cosplays as a rugged survivor, treating killing walkers similar a game rather than a life-or-death situation. The higher i's position is in the Commonwealth, the less they understand about the lives of those below them.

The masquerade brawl gone incorrect

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In an utterly dystopian move, the mysterious Commonwealth Governor Pamela Milton (Laila Robins) throws an exclusive masquerade ball, where the commoners stand outside and ask for autographs equally the attendees stroll down the red carpeting.

Still, this glitzy matter isn't but for the rich and famous — information technology's also attended by expect staff and the press. Connie (Lauren Ridloff) and Kelly (Angel Theory) interview Milton for the newspaper, and she effortlessly evades answering whatsoever of their questions. "We appreciate and celebrate every unmarried person who contributes to our vibrant community," she replies to a query about the apparent class divide.

Every bit if to testify Milton wrong, a demoted soldier named Tyler (Cameron Roberts) interrupts her self-aggrandizing speech and takes Max/Stephanie (Margot Bingham) hostage as he rails against her claims about equality within the Commonwealth. Instead of hurting anyone, though, he slashes the newly unveiled portrait of Milton's father, a old U.Southward. president, and then escapes.

Daryl captures Tyler and talks him down just hands him over for Sebastian to bring back to the political party. As he's taken abroad, he shouts: "Resist the Commonwealth! Visibility for workers! Equality for all!" He likewise reveals that at that place is a resistance of "thousands of others" just like him. Curiously, Max/Stephanie whispers to him, "I'm similar you."

Showrunner Angela Kang explained in the Episode Insider segment that they "wanted to go out that question hanging" of whether or not in that location was a movement within the Commonwealth. The final scene of "New Haunts" suggests that this might be the case.

Come on, baby, swallow the rich

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Fast-forwarding to Day 33, Tyler's exclamation that at that place is a resistance surging within the Republic is seemingly proven true during a raid of his apartment. Rosita, who is now a soldier, stumbles into a hidden room decked out with propaganda — including shooting targets depicting their uniforms. In the Episode Insider, Kang explains that Rosita is overwhelmed with this information and finds herself at a "really odd crossroads."

Her revelation is soundtracked by the Motörhead album Mei had gifted Judith. Now that Daryl is a soldier, he'due south moved them into a new flat and has coin for luxuries similar a record role player. They put the album on, and Judith skips alee to Track ii, "Consume the Rich." The not-so-subtle political vocal hammers on as Rosita realizes that, for the beginning time, she's on the opposing side of a rebellion.

Throughout the apocalypse, her scrappy grouping has e'er fought for what they believed in and avoided conforming to some other customs. After all, what better time for a social and political overhaul than the stop of the world? Nonetheless, as they get comfy with life in the Commonwealth, this could alter.

Will they go against the grain and join this alleged resistance, or will they fight to defend this new, erstwhile-world customs? Is this what further splinters the groups, leading to the apparent standoff between Maggie/Hilltop and Daryl/Democracy foreshadowed in "No Other Manner"? Or volition this season's storylines align with the Commonwealth's arc in the comics?

What's next for Carol and Ezekiel?

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As the Alexandria and Hilltop transplants settle into the Republic, it's clear that Daryl is having the most challenging fourth dimension adjusting. However, Ballad Peletier (Melissa McBride) is dorsum to leaning into her trusted syrupy sweet persona that allows her to slide under the radar as she snoops. Daryl's skepticism is overt; Carol plays a character to pretend like she's onboard while scoping everything out.

Although her marriage to Ezekiel (Khary Payton) has crumbled, she however cares for him and is working to ensure that his thyroid cancer is being managed. His low social ranking in the Commonwealth places him about the bottom of the treatment list, and information technology becomes her mission to change this. She successfully weasels her fashion into somewhat of an alliance with Deputy Governor Lance Hornsby (Josh Hamilton), but this will be a long game.

Meanwhile, Ezekiel appears to take accepted his fate every bit he lies to Carol virtually his condition and begins gifting sacred possessions to his loved ones. The former couple split a bottle of wine, and he suggests that their new home might offer a "fresh start." She goes along with this sentiment, simply it's clear that she isn't giving upwardly.

Because of the upcoming spin-off that follows Daryl and Ballad, we know that she survives whatever happens in Flavour 11. Ezekiel'southward future is still a mystery, though, and it's heartbreaking to call back that she could suffer the loss of still another family unit member.

What's going on with the timeline?

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"The Walking Expressionless" has always had a circuitous timeline, but Flavour 11 has taken things to another level. "No Other Way" and "New Haunts" feature time jumps, making the who, when, and why of the conflict between the Commonwealth and the other groups unclear. For all we know, these scenes from circa Twenty-four hours xxx won't come into play until the last batch of episodes is released later this twelvemonth.

In an interview with NME, Angela Kang explained that the time jumps help to make the show feel fresh once more. "Every episode picked up right in the next moment. That was smashing because it created cliffhangers, but I merely found myself wanting to mess with the rhythm of the evidence a niggling bit," she said. "It was dandy in creating a sense of urgency — but when you're ever picking upward off the last episode, you lot tin can't progress certain things very far."

These glimpses into what's coming next allow fans to theorize nigh how each grapheme winds up in the position that they do as the long-running serial comes to a close. Is the end goal that the Commonwealth absorbs all the remaining survivor groups, gradually rebuilding the globe this way? Or is it a domineering force that sets out to conquer anyone who might disrupt their plans to restore the earth to what information technology once was?

New episodes of "The Walking Expressionless" air on AMC on Sundays at 9/8c, and AMC+ users have early access to episodes every week.

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Source: https://www.looper.com/777240/the-ending-of-the-walking-dead-season-11-episode-10-explained/